![]() If you Convert you “preserve color appearance” Photoshop does this by referencing the ICC profiles of the source and destination color spaces and precisely changing the numbers in the file so that they produce the closest possible match to the original appearance only the appearance of very saturated colors will change if you convert a file to a smaller gamut color space. (Photoshop can open many files in many color spaces at one time, but a single file can have only one color space at one time.) The parenthetical remarks in the Paste Profile Mismatch dialog box say it all. You encounter it when you’re pasting information from a file in one color space into a file in another color space. The Paste Profile Mismatch dialog box makes it all very clear. So what do you do when you encounter these three dialog boxes – Missing Profile, Profile Mismatch, and Paste Profile Mismatch? This way, any time a color management operation is about to take place, you’ll get one of three dialog boxes that not only alert you but also give you control over how the operation is handled. In the vast majority of cases, you’re better off served leaving the default settings at Preserve Embedded Profiles. Similarly, you typically don’t want files automatically converted to a default working color space without your knowing that it’s happening, as they are when you set the policy to Convert to Working you’d only want this to happen when you’re batch converting a number of files to quickly bypass color management dialog boxes. You rarely, if ever, want to turn color management off you only do this when you want to ensure that no color space conversions take place, for example when opening target files for creating printer profiles. When you set Color Settings in Photoshop (Edit : Color Settings), you not only choose Working Spaces (RGB, CMYK, Gray, and Spot) to create new files in (Choose ProPhoto RGB for the widest-gamut color space.), you also set Color Management Policies that determine what happens when you’re dealing with files that are not created or edited in the same color spaces.įor RGB, CMYK and Grayscale files you can choose to turn Color Management Off, to Preserve the Embedded Profiles, or to Convert to Working color spaces. However, it turns out that small tweaks can make a dramatic impact on the end result.Knowing what to do with the color management dialog boxes you encounter while you’re editing your digital images in Photoshop is the key to making sure that the rich, saturated, wide-gamut color you choose to master your files in stays wide-gamut and doesn’t change – unless you want it to. Printing at home can be prone to frustration, which is why I often outsource the job. Images were washed out, with a yellow cast. I also tested how the Selphy printed from Photoshop but the results were similar.I have no reason to believe this wouldn’t work the same in Photoshop Elements as the print dialog is similar.There’s a weird orientation issue that happens when trying to print landscape photos from Lightroom to the Epson.The bottom line is this: If you’re unhappy with your printer, make sure it’s really the printer and not the software you’re using to send photos to it! (If anyone really understands this better, please do leave a comment!) By printing from Photoshop, the software can control getting a printed result that’s similar to what you see on-screen. Printing to the Epson directly from Photoshop indeed removed any flaws I had noticed before.įrom what I understand, it boils down to there being no color management being done by these consumer-level printers. Just to be sure there wasn’t an issue with the photo, I also printed the same photo from my review post. The difference was dramatic! I’m not a printing expert, so I was beyond surprised. On a whim I tried printing from Photoshop. The result was an improvement, but not as much as I would have hoped. It turns out the Epson Easy Photo Print software has auto-correct turned on by default and this must be manually turned off for every photo printed. I was baffled and started to dig into the settings more. ![]() Last month I sent a photo to the printer and it came out with horrible red-eye that wasn’t present in the original. ![]() It turns out this was not a true flaw in the printer at all. The one flaw of the Epson that I mentioned was that prints seemed a little over-saturated and contrasty. This side-by-side test affirmed my investment in the more expensive Epson printer. In January I shared a comparison of prints from the Canon Selphy and the Epson PictureMate Show.
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